The project emulates the look and feel of a vintage CRT display, complete with a convex faceplate (outwardly bulged), which introduces characteristic distortions to the monochromatic artworks. Subtle details, such as uneven light reflections, mimic the appearance of washed-out areas on the screen. This shows the progression from the initial experiments to the final outcome.

In rare instances, a defective R, G, or B channel may create unexpected cyan, magenta, or yellow hues, adding an element of unpredictability to the visuals.

Each artwork combines one of six implemented fonts - Runic, Mukta, Arabic, Japanese, Korean, or Operators - with one of three screen sizes (small, medium, or large), alongside minimalist geometric shapes such as rectangles and circles.